The film intercuts between two days, two years apart. The first: a flight from Vancouver to Halifax, where Charlotte and Cecil, two strangers, meet in seats 3a & 3c and fall in love. The second: a Saturday two years later, where Charlotte and Cecil now a couple, fight, break-up and finally reunite.

A pair of summer and winter weekends intertwine in a series of flashbacks involving five friends. Their dreams and expectations overlap with memories of events that took place in the house that they are sharing, which has a particular significance for all of them.

Richard Dreyfuss-directed short film.

Frames 20th-Century ideologies and dreams of liberation, using found footage. The film presents an account of the period between 1932-1985, juxtaposing two different films in a montage format. One, 18mm home footage of an unknown Danish family, taken before and after WW2. A deadpan camera registers happy holiday moments, the Berlin Olympics (1936), and the World Exhibition in Paris (1937). Secondly, and with the same lack of involvement, we see the liberation of Denmark in May 1945. The second film is a first generation erotic movie, shot in 1972, showing a student's party developing into carnality, reflecting the liberating promises of this newly legalized pornography. The entire montage is accompanied by and interview with Charles Manson, who projects his messianic views from his prison cell. Through its anti-dramatic slide from normality to perversion, the film implicitly challenges the 20th-Century welfare state's promise of freedom to its citizens.

In 1951, the well-known Czech actress Jiřina Štěpničková receives a letter from Austria from director František Čáp, who has recently emigrated. He invites her to the West and promises her roles in theater and film. She decides to seize the opportunity and flee. Together with a small group of people and her young son Jirka, she entrusts herself to a smuggler and embarks on a risky journey across the border. But something goes wrong. They are caught. Everything had been planned in advance. The smuggler himself is a member of the StB. But that's only the beginning.

Conceived as the third part of the series under the name future past perfect, the short film introduces a narrative story that was inspired by a fascination for automation processes as well as his work on codes and grids that materialized in his record alva noto . unitxt in 2008. the series itself started in 2006 and is designed as a row of conceptually independent movies that document nicolai's focus of interest of the respective year of origin and also builds up on the results of the movie(s) before. a quiet autumn night in tokyo. a man stops his car at a shop front with a number of vending machines to get a last drink of tea on his way home. he inserts a coin, but instead of the usual procedure, the machine starts performing its own peculiar performance...

Emilia’s life is picture-perfect: flawless hair, perfect grades and a family straight out of a commercial, but when strange events begin to occur, Emilia questions her reality. As everything unravels around her, she’s forced to break free before she loses herself completely.

A female aerobics instructor meets a male reporter doing a story on health clubs, but it isn't love at first sight.

A serial bigamist, Julie Harding (Michelle Collins) is a compulsive flirt with a wicked sense of humour. She loves a good wedding - especially her own - but Julie is a perfectionist, and the reality of married life doesn't always mirror the magic of the big day.

In an alternate 1950s where humans can be grown from seeds, a lonely woman reluctantly plants herself a brand new husband with hopes that he's the "perfect" one.